Changing the World One Building at a Time
By: Kaitlyn Jankowski
October 10, 2009
For Simone du Boise it all started in Charleston, S.C. “I found this broken Coke bottle; it was clear glass. I would carry that with me and look at the houses through the glass as if it were a picture frame.” This became a pivotal moment in du Boise’s young life. It was at the age of 7 that du Boise first remembers being drawn to design and architecture. She discovered this the old fashion and maybe not so conventional way, by examining historic houses in South Carolina, and sketching them as they appeared through the broken Coke bottle.
“I rode my bike through what they call the battery down there, which is just a square with grass in the center and a gazebo. You could look out over the two rivers that would meet and form the ocean, I spent a lot of time down there,” she said. Who would have thought, that an otherwise insignificant spot would be the spark to ignite a child’s interest and passion for architecture.
Du Boise had aspirations and dreams from the very beginning to become a great success in her field. This big dream would eventually materialize into a reality. She set out to become not just another architect; she set out to make a difference. She wanted to change the world. She studied with the best, partnered with the best, and is now literally changing the world, one building at a time for the best.
In a recent telephone interview du Boise shared some interesting accounts in her life that led up to her architectural success.
Q: How did you choose Georgia Tech and was there something about their undergraduate program that make it right for you and your goals?
Du Boise: Well, I looked at a lot of schools. I looked at Vancouver in British Columbia, MIT, and Cooper Union located in New York I looked at all the campuses and I really liked all of them. However, the tipping point for me was that they were all in really, really cold climates [with a laugh] and I just didn’t think that I could make it through the winters, and I was really kind of scared of that. So I chose Georgia Tech because it was in Atlanta and it was still somewhat warm there in the winter. Maybe that is not the answer you are looking for, that I made my decision based on weather, but it is the honest truth.
Q: You did your postgraduate work at Chulalongkorn University & Silpakorn University, Bangkok, Thailand. What made you choose Asia as the place to do your postgraduate work?
Du Boise: Chulalongkorn is the king’s college for architecture; Silpakorn is Thailand’s university for archeology. My research pertained to both architecture and archeology. A professor of mine at Georgia Tech really encouraged me to apply for something called the Fulbright Scholarship to study both architecture and archeology. One day I sat down, wrote a paper, submitted it, they selected it, and ultimately decided to fund my entire research project.
However, about six months after I was there the Gulf War broke out. Because of the Gulf War they didn’t want any Americans or Europeans over in Asia, so they cut off all funding for my postgraduate work. I was right in the middle of my research and failed to see the good in dropping everything and coming back home. I stayed in Thailand for about two years. A good friend of mine got me an interview with the largest architecture firm, at that time, in Asia. I interviewed with them, and they hired me.
In Thailand, unlike what we generally see in the United States, teachers and researches are held in very high regard and are seen as people holding the most revered professions. Being a researcher at the time, I was one who held a prestigious position that allowed me to enter into a work agreement, giving me tons of time for research. I would work for a week or two and then was given substantial amounts of time off to conduct my research.
Q: Did you work independently while designing buildings in Thailand or were you working alongside someone else?
Du Boise: In Thailand architecture is a protected profession, which means that only Thai citizens can be licensed architects, so I couldn’t officially act as an architect or on my own. But I could be a lead on a design team, and that is exactly what I got to do. It was the most amazing experience. The people and the culture are very respectful of your personal space, and I thoroughly enjoyed it.
Q: What does it take to become a licensed architect in the U.S?
Du Boise: In the U.S. each state is different; I was licensed in Georiga first. Basically the process is that you go to school for six years. After that, each state defines at what point you can start an internship process. Typically you intern from four to six years, and the state then qualifies your internship. During the internship process you have to track all of the hours that you work. The main requirements are that you work for the firm full time under a licensed architect. You need to document the phases of design that you are involved with, what stages of the construction document you are involved with, and the interactions you have with any clientele. The criteria require that you have a certain number of hours in each area. Finally, after all of that is completed you submit everything that you’ve done during your internship for review. If the state thinks that you’ve met the criteria you then qualify to sit for the exam.
The exam is a week long, and each day you have a different component. There is a design portion of the exam, which is given over the course of two consecutive days. This part of the exam is comprised strictly of drawing and being hands on with a particular design. Another portion covers history and is multiple choice - things you should know and remember from your studies. The structural portion is all about calculations, math, loads and their effects on different building components. The last portion is the mechanical section - which deals with questions about different types of ventilation, plumbing and electrical systems.
The hardest part about the exam is that you need to pass all portions of the exam in order to be certified as a licensed architect. So it is not unusual for it to take a few years before a person becomes licensed in any one state.
I have an advanced certification, NCARB [National Council of Architectural Registration Boards], which took about 10 years for me to obtain. Acquiring this certification is a very tedious process. It takes a long time to attain NCARB certification because applicants must identify and then give in great detail every project they have ever worked on. Along with these project summaries the applicant must also obtain signatures of the project supervisors. It’s a great advanced certification to have because once an architect receives the NCARB certification, it gives them the ability to be licensed anywhere in the U.S. or Canada, including all U.S. territories. Most European Countries will recognize it as well. There are some exceptions, here in the U.S where a few states still may require additional testing.
Q: You hold architectural licenses in five different states. Hawaii is one of them. They have surfaced in the news lately because of their persistent efforts to become environmentally friendly. What projects do you have going on in Hawaii?
Du Boise: We have some continuing opportunities with the government in Hawaii, and are hoping to work with them in the near future. The solar and alternative energy is a real big thing out there. They are very cutting-edge; they may have been the very first state to implement solar standards into their building codes.
Q: Some of your projects include: resort development in the Far East, commercial/industrial projects in North America, International airports, New York /New Jersey Port Authority and others. Do you have a favorite project?
Du Boise: There are several different things that I have done in a verity of projects that I really love, [with a long pause] but I guess over all the one that I enjoyed the most was the project in Thailand. I really loved that particular project because when they put me on the design team for that development they wanted to build a resort hotel in Chiang Mai. The site they chose for this resort was across the Mae Khong River facing the king’s summer palace that has been there for over 300 years. The initial plan was to design this hotel in something called Vahaus style, which is a contemporary design; a very streamlined European style of architecture. This style was just so out of place. I thought it failed to fit in. In fact the Helvetica Font came from the Vahaus style to give you an idea of how blocky and clean lined the style was. I really wanted to talk to Thai architects and convey to them how rich their culture was and how they should celebrate that by using a more traditional style of architecture. After a lot of meetings, they decided to veer away and abandon the Vahaus style and go with a more traditional Thai style architecture. That became my favorite because there was a lot of something I like to call “Myth of Form”, which occurs when religious beliefs take form in architecture. The Buddhists had a lot of this present in their architecture. In Thailand their magic number is nine, essentially doing things in sets of threes. For example, in a Buddhist temple they will put in the center a nine-chamber box. Within the box there are sacred items placed in each of the nine chambers. The nine chambers are said to bring prosperity and good fortune to the temple and the community around it. This would be their duplication in a simple sense of Nirvana, which would be like heaven on Earth.
Q: Your latest project is a development called Weatherford Place, located in Roswell, Ga. What made you decide to start building a “green” residential development, and what was the driving force to start Cadmus Construction, the development company?
Du Boise: My partner, Denise Donahue, was really most instrumental in that. Something like Weatherford starts with a vision and her vision was very clear from the beginning. The two of us are firm believers that the world does not need another builder or developer, but what we do need is environmental stewards. That was the driving force behind the design of the entire community. Everything needed to be entirely environmentally friendly. We can’t continue doing things the same old way we’ve been doing them. We are going to tap ourselves out environmentally and push us over the edge.
Q: The eight homes you are working on now have gotten some great press from “Fox News”, Smart Home Magazine, JetsonGreen, and Metal Building Developer magazine to name just a few. How has this impacted you and your project?
Du Boise: If anything it is kind of like moral support. Because green building is so new, I think there are a lot of misunderstands of what it is and how it works. Many outsiders think that it’s like some sort of trick - like you really can’t get your energy from the sun, or you really can’t get your hot water for free. I feel as if people think we are hiding things, and not revealing pertinent information.
Q: What are some of the key features of these homes?
Du Boise: These homes, thus far have proved to be net-zero homes. Net-zero, meaning there is no utility bill at all. What makes the homes work is that they are designed as passive solar first. We do everything that we can to make the home with the proper orientation on the site, where we are located in the world, and then customized to do exactly what our particular climate is best suited for in terms of peak performance.
For example in Atlanta we are always dealing with humidity issues. It makes it a real challenge to keep the building envelope free of moisture, mold and mildew. We have tried to design the building to use the least amount of energy necessary; and yet still have it become a place you want to live in. If we were to have a box with only one door and no windows, it would be an extremely energy efficient home; but who would want to live in that? We are using new high-tech solar panels, specialized siding and unique style light harvesting devises, which allow us to design and build homes that are net-zero and aesthetically advanced.
Q: Before finishing up the first homes in Weatherford Place the housing market took a hit, how has that effected the sale of your homes?
Du Boise: Right now we have gotten good responses from people looking to purchase and they love it, and really want to live there, but with the state of the economy everyone has a house to sell first. So right now we are in a lull or waiting period.
We have recently taken our homes off of MLS [Multiple Listing Service] and FMLS [First Multiple Listing Service], those are the vehicles used to sell homes. We made the decision to take our homes off of those sites because they are appraising our homes as compared to short sales and foreclosures in our same area. Even when our homes were appraised from the beginning, they never included the alternative energy inputs that are very real, and have a huge impact on your energy bill.
Q: In the future do you hope to expand your projects to other places and bring EcoCraftä - your trademarked homes - elsewhere?
Du Boise: Absolutely, that is our ultimate goal. Not just the EcoCraftä building, but we are also very interested in creating emergency shelters for use in the U.S. and worldwide. The goal for these emergency shelters is that they are fully sustainable, a structure that you can erect very quickly, are drop shippable and have their own energy sources self contained. Something important for people to consider is this; enough energy hits the Earth in one hour to power the entire world for an entire year!
Q: What are some important lessons you have learned while at Cadmus and since taking on the Weatherford project?
Du Boise: The first big lesson I learned is that while everything made perfect sense to both Denise and I, the same understanding did not carry over to the municipalities and the local governing authorities. Since these agencies are responsible for issuing building permits it became a stumbling block. We found that local building departments were unaware of the many new alternative and energy efficient building products available today and were even skeptical of what we were doing. We saw how they were very resistant to change. We also learned that we are unwilling to let the dream go. We learned that we were not willing to compromise everything that made it what it was, the important aspects of the project in order to get a building permit. We learned that it is so important to keep a dialogue going, because we need to make this happen. We all share common ground and together we can build a better environment.
Who would have thought that a small town, southern girl would make such a gargantuan impact on the lives of others? And to think it all started with a broken Coke bottle, a pencil, a piece of paper and a dream. Du Boise ended the interview reminding the world: “if you honor the past it will help you make very sound decisions in the future. Too many times we are quick to wipe the slate clean and start over with no connection and no acknowledgement of the past or our surrounding area. It is so important to understand what you are designing.”